Soundbox is partnering with Salon 21 and the 4-Way String Quartet next week to present Parallels, a concert featuring five world premieres for piano quintet by American and Polish composers Laura Harrison, Rachel C. Walker, Julia Seeholzer, Aleksandra Chmielewska, and Żaneta Rydzewska.

Pianist Jill Jantzen is a dynamic member of the Cincinnati music scene. She holds degrees in piano performance from Oklahoma City University and the University of Cincinnati College-Conservatory of Music, and is now Lecturer of Piano at Thomas Moore College. Jill is the Artistic Director of Salon 21 and also the pianist for this event.

You can catch Parallels on February 6 at the Weston Art Gallery. (More information here).


CSB: Tell us a little about your musical background.

JJ: I started formal piano lessons when I was 5, though family stories claim that I was fascinated with the instrument at an even earlier age. I began violin lessons around age 9, which carried me through college. These days, I consider piano to be my work, and violin is my hobby. And while I play mostly classical music, I will never say “no” to a good pop song jam session.

CSB: Could you introduce our readers to Salon 21?

JJ: Salon 21 is a series of intimate piano concerts in unexpected places around Cincinnati. We host emerging pianists who play a range of music from classical to jazz and traditional to contemporary. Each concert is a place where our audience can casually enjoy a short piano concert up close and personal.

CSB: Where did your interest in working with living composers begin?

JJ: I wish I had a fancier answer… I befriended some composers during my undergrad, and I quickly became one of the “go-to” instrumentalists who would play for composition recitals. No matter what the scope of the project, it is always an honor to be a part of the process of bringing a newly composed piece to life.

CSB: As a pianist, how would you describe the works on this concert?

JJ: Each of the pieces is quite different in character. There are singable melodies, mathematical rhythms, and I frequently play inside of the piano. The moods cover all aspects of the human experience: pensive, hazy, energetic, passionate… All of the composers have done an excellent job at utilizing the many facets of the instrument.

CSB: What other upcoming projects are on your radar?

JJ: I am giving a solo concert on April 17th at Trinity Episcopal Church in Covington, where I’ll perform pieces by Debussy and Beethoven. Then on May 23rd, I’ll be playing with violinist Rebecca Culnan at the Mercantile Library to close out Salon 21’s fifth season.

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