Cellist Nat Chaitkin is one of the founding members of the 4-Way Quartet, who will be joining us next week for Parallels. Nat is currently a member of the Cincinnati Chamber Orchestra and the ProMusica Chamber Orchestra. He is active as a performer and teacher in Cincinnati, including through the Quartet’s 4-Way String Project.

Read more about Nat and 4-Way below.


CSB: What is your musical background?

NC: I grew up in the NY new music world – my dad was a composer, and took me to all sorts of concerts as a kid. I started studying the cello at 11, spent some time at Juilliard Pre-College, and went on to the University of Michigan, studying cello and American History. I then moved to Washington, DC and spent 8 years as a member of “The President’s Own” US Marine Band. I moved to Cincinnati 10 years ago, joining the Cincinnati Chamber Orchestra, subbing with the CSO, and teaching at CCM Prep. I also developed a solo program to bring classical music to new audiences called Bach and Boombox.

CSB: How did 4-Way begin? What are your current projects as an ensemble?

NC: We formed in 2015, with the goal of creating an community-based ensemble. We share our love of chamber music both through performing and teaching underserved youth. We are in our third year of residency at Woodford Paideia Elementary School, where we assist with the orchestra program during the day. Woodford is also the home of our central activity, The 4-Way String Project, which offers free lessons and chamber music opportunities to 16 selected 4th, 5th and 6th graders.

CSB: As a cellist, how would you describe the works on this concert?

NC: Hard! Seriously, they are very diverse in what they ask of the players. A couple are very “notey”, requiring lots of technically demanding practicing, while others ask for an expanded range of sounds, calling for extended “non-traditional” techniques. All of them are challenging in their own way, and I’m really looking forward to hearing them all come together.

CSB: What are you hoping audiences will experience during this concert?

NC: Five striking and very different perspectives on one of my favorite ensembles – some of the greatest works in chamber music are written for piano quintet, and the audience will hear its full range of possibility!

CSB: What are your impressions of the music scene in Cincinnati. How have they changed over the years?

NC: Cincinnati has a wonderful music scene, thanks to two pieces of its history – the CSO, and King Records. Many cities “have” a symphony, but there is real civic pride in ours which I have not found in many other places. Several years ago, I was one of six people to receive the Cincinnati Artist Ambassador Fellowship, which allowed me to develop my solo program, and present it in community settings all across the city. I saw how much music is part of the fabric of life here, in part thanks to King [Records] and its legacy of bringing different musicians together. Having a group like 4-Way wouldn’t be possible in lots of places, but here, we find lots of support, and that’s because of the city’s strong support of its musicians.

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